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Mga Tanong na Pilit na Sinasagot

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Mga Tanong na Pilit na Sinasagot Empty Mga Tanong na Pilit na Sinasagot

Post  akosiad.min Sat Apr 11, 2009 11:57 pm

O mitch eto na yung sagot sa Kangkong question mo. I-quote ko lang...

Ano sa english ang kangkong
Answer: Chinese Water Spinach. This is according to this site. lol!


Last edited by ryudo05 on Mon Apr 13, 2009 7:23 pm; edited 1 time in total
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Post  nheng Mon Apr 13, 2009 12:28 pm

pano narelate ang itlog sa easter? hahaha affraid
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Post  niks Wed Apr 15, 2009 12:34 am

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Post  niks Wed Apr 15, 2009 12:59 am

May gender ba ang mga puno? Question afro
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Post  akosiad.min Wed Apr 15, 2009 8:06 am

niks wrote:May gender ba ang mga puno? Question afro

Trees and plants are both male and female. Kasi they have the capability to reproduce on their own. Remember asexual reproduction? They fertilize their own seed in the form of flowers and when fertilized these flowers becomes fruits. The fruits then becomes seeds. Look at the apples, mangoes and jackfruit. Their seeds are inside their fruits.

So, bading (gay) ang mga puno? lol! . God made them this way so they can reproduce faster and provide us shade, food and other resources.
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Post  nheng Wed Apr 15, 2009 12:16 pm


thanx nix! now i know. hahaha. ayan pinaste ko nadin. Smile)

The egg is nature's perfect package. It has, during the span of history, represented mystery,
magic, medicine, food and omen. It is the universal symbol of Easter celebrations throughout the
world and has been dyed, painted, adorned and embellished in the celebration of its special
symbolism.


Before the egg became closely entwined with the Christian Easter, it was honored during many
rite-of-Spring festivals. The Romans, Gauls, Chinese, Egyptians and Persians all cherished the
egg as a symbol of the universe. From ancient times eggs were dyed, exchanged and shown
reverence.
In Pagan times the egg represented the rebirth of the earth. The long,
hard winter was over; the earth burst forth and was reborn just as the
egg miraculously burst forth with life. The egg, therefore, was believed to
have special powers. It was buried under the foundations of buildings to
ward off evil; pregnant young Roman women carried an egg on their
persons to foretell the sex of their unborn children; French brides
stepped upon an egg before crossing the threshold of their new homes.
With the advent of Chrisianity the symbolism of the egg changed to
represent, not nature's rebirth, but the rebirth of man. Christians
embraced the egg symbol and likened it to the tomb from which Christ rose.
Old Polish legends blended folklore and Christian beliefs and firmly attached the egg to the Easter
celebration. One legend concerns the Virgin Mary. It tells of the time Mary gave eggs to the
soldiers at the cross. She entreated them to be less cruel and she wept. The tears of Mary fell
upon the eggs, spotting them with dots of brilliant color.
Another Polish legend tells of when Mary Magdalen went to the sepulchre to anoint the body of
Jesus. She had with her a basket of eggs to serve as a repast. When she arrived at the sepulchre
and uncovered the eggs, lo, the pure white shells had miraculously taken on a rainbow of colors.
Decorating and coloring eggs for Easter was the
custom in England during the middle ages. The
household accounts of Edward I, for the year 1290,
recorded an expenditure of eighteen pence for four
hundred and fifty eggs to be gold-leafed and colored
for Easter gifts.
The most famous decorated Easter eggs were those
made by the well-known goldsmith, Peter Carl
Faberge. In 1883 the Russian Czar, Alexander,
commissioned Faberge to make a special Easter gift
for his wife, the Empress Marie.
The first Faberge egg was an egg within an egg. It had an outside shell of platinum and enameled
white which opened to reveal a smaller gold egg. The smaller egg, in turn, opened to display a
golden chicken and a jeweled replica of the Imperial crown.
This special Faberge egg so delighted the Czarina that the Czar promptly ordered the Faberge
firm to design further eggs to be delivered every Easter. In later years Nicholas II, Alexander's
son, continued the custom. Fifty-seven eggs were made in all.
Ornamental egg designers believe in the symbolism of the egg and celebrate the egg by
decorating it with superb artistry. Some use flowers and leaves from greeting cards, tiny cherubs,
jewels and elegant fabrics, braids and trims, to adorn the eggs. They are separated, delicately
hinged and glued with epoxy and transparent cement, then when completed, they are covered
with a glossy resin finish. Although the omens and the mystery of the egg have disappeared today,
the symbolism remains, and artists continue in the old world tradition of adorning eggs.
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